JOHN HUSTON, LOS ANGELES, MAY, 1975
THE WATERMARK AND THE SIGNATURE ON THE IMAGE WILL NOT BE PRESENT ON AN ORIGINAL PRINT.
David Steen: “Keeping the film crew well fed is top priority in movie making. When they did the recce for the location of The African Queen, which John Huston directed, they were lucky in securing the services of an excellent cook who produced a variety of exotic dishes and always kept a big pot of appetising stew on the burner. One day, well into filming, the cook failed to turn up, narrowly avoiding a visit from the police investigating an inexplicable rise in the number of missing persons from the surrounding areas. John Huston reckoned (as did others) that they might have found their way into the stew pot when other ingredients were in short supply.”
John Marcellus Huston (August 5, 1906 – August 28, 1987) was an American film director, screenwriter and actor. He wrote the screenplay for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), Key Largo (1948), The Asphalt Jungle (1950), The African Queen (1951), Moulin Rouge (1952), The Misfits (1961) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, winning twice and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films.
Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career: sketching each scene on paper beforehand, then carefully framing his characters during the shooting. In addition, while most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making his films both more economical and more cerebral, with little editing needed.
Most of Huston’s films were adaptations of important novels, often depicting a “heroic quest”, as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed or “destructive alliances”, giving the films a dramatic and visual tension. Many of his themes also involved some of the “grand narratives” of the twentieth century, such as religion, meaning, truth, freedom, psychology, colonialism and war.
Before becoming a Hollywood filmmaker, he had been an amateur boxer, reporter, short-story writer, portrait artist in Paris, a cavalry rider in Mexico and a documentary filmmaker during World War II. Huston has been referred to as “a titan”, “a rebel” and a “renaissance man”, in the Hollywood film industry. Author Ian Freer describes him as “cinema’s Ernest Hemingway”—a filmmaker who was “never afraid to tackle tough issues head on”.