JOAN COLLINS, THE STUD, LIMOUSINE, LONDON, 1978
THIS IMAGE WAS RECENTLY UNEARTHED FROM THE ARCHIVE AND HAS NEVER BEEN OFFERED IN PRINT FORM BEFORE. IMAGE RELEASED 1ST JUNE, 2012.
THE WATERMARK AND THE SIGNATURE ON THE IMAGE WILL NOT BE PRESENT ON AN ORIGINAL PRINT.
Joan Henrietta Collins, OBE (born 23 May 1933), is an English actress, author and columnist. Born in Paddington and brought up in Maida Vale, Collins grew up during the Second World War. After making her stage debut in A Doll’s House at the age of 9, she was trained as an actress at the Royal Academy of Dramatic Art (RADA) in London. After eighteen months at the drama school, she was signed to an exclusive contract by the Rank Organisation and appeared in various British films.
At the age of 22, Collins headed to Hollywood and landed sultry roles in several popular films, including The Girl in the Red Velvet Swing (1955) and Rally ‘Round the Flag, Boys! (1958). While she continued to make films in the US and the UK throughout the 1960s, her career languished in the 1970s, where she appeared in a number of horror flicks. Near the end of the decade, she starred in two films based on best-selling novels by her younger sister Jackie Collins: The Stud (1978) and its sequel The Bitch (1979). Returning to her theatrical roots, she played the title role in the 1980 British revival of The Last of Mrs. Cheyney and later had a lead role in the 1990 revival of Noël Coward’s Private Lives. In 1981, Collins landed Alexis Colby, the role for which she is perhaps best known, in the long running 1980s television soap opera Dynasty.
By the time the soap opera had been cancelled, Collins followed in her sister’s footsteps and published her first novel Prime Time (1988) which became a bestseller despite critical pans. Although retrieving publication issues with Random House in 1996, she has since published many books: both fictional, non-fictional and autobiographical. Flamboyant in her personal life and in roles she pursues, Collins continues to act in theatre, film and television in a career that has spanned more than 60 years.
David Steen also photographed the stills on the movie set of ‘The Stud’, including the nude scene of Joan swinging across the pool at The Santuary in Covent Garden, London.